音響作曲法
1. Sound massIn contrast to more traditional musical textures, sound mass composition "minimizes the importance of individual pitches in preference for texture, timbre, and dynamics as primary shapers of gesture and impact. " Developed from the modernist tone clusters and spread to orchestral writing by the late 1950s and 1960s, sound-mass "obscures the boundary between sound and noise" (Edwards 2001, pp. 326–27).
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Read “音響作曲法” on Japanese Wikipedia
Read “Sound mass” on DBpedia
Read “Sound mass” on English Wikipedia
Read “音響作曲法” on Japanese Wikipedia
Read “Sound mass” on DBpedia
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